Tag: Ideology

Epic lecture on the false tenets of neoliberalism, summerized well by the book’s subtitle: “Why Greed is Not Good, Opportunity is Not Equal, & Fairness won’t Make Us Poor.” An absolutely brilliant dismantling of capitalist ideology, a must-see.. ♥ Neonn

“Pearlstein’s chronicle of the last few decades of democratic capitalism documents that the “greed is good” era has left out major tenets of Adam Smith’s vision. Instead of fostering the social capital ensuring that benefits reach all socio-economic strata, the system has suffered increasing income disparity, causing many to lose faith in the free market economy. Pearlstein, Pulitzer Prize-winning columnist for The Washington Post and the Robinson Professor of Public Affairs at George Mason University, gives a succinct and clear diagnosis of capitalism’s malaise and offers practical steps for healing it, including a guaranteed minimum income paired with universal national service, tax incentives for companies to share profits with workers, ending class segregation in public education, and restoring competition to markets.”

“Cultural theorist superstar Slavoj Žižek re-teams with director Sophie Fiennes (The Pervert’s Guide to Cinema) for another wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture, Žižek literally goes inside some truly epochal movies, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver, Zabriskie Point, The Searchers, The Dark Knight, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”), Titanic, Kinder Eggs, verité news footage, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Žižek’s stimulating, provocative and often hilarious psychoanalytic-cinematic rant.”

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“Exactly one year and a day after the initial Wall Street bailout, Michael Moore (SICKO, FAHRENHEIT 9/11) looks at the global financial crisis and the U.S. economy during the transition between the incoming Obama Administration and the outgoing Bush Administration. In standard Moore fashion, he mockingly draws attention to the Wall Street and Government decisions that have enabled what he calls “the biggest robbery in the history of this country.””