Tag: Fascism

This album feels unreal in how brave it is. This motherfucker is really out here talking this hardcore of revolutionary shit I can still hardly believe it even after listening so intently to it all. “They fucked the slums so hard they gave birth to a resistance….” Carrying Dead Prez’ torch on here, telling folks in the hood to redirect their anger (& traumatized destructive expressions of it) at the system that oppresses them rather than their neighbors who might disrespect them. Hip Hop needed this album, bringing back that Panther energy. Please listen, it will blow your mind. ♥Neonn

“KXNG Crooked dropped a new album titled Good Vs. Evil, his third project of 2016. The LP sees Crooked donning the persona of a superhero from an alternate reality. In this universe, lower class citizens use violence to fight back against oppression.

“It all started when I was watching a news segment on the murders of Eric Garner, Tamir Rice, Sandra Bland and all the other black people killed by Police” Crooked said. “I saw Tamir Rice’s mother on TV and the pain in her eyes made my blood pressure boil. No mother should lose a child like that. Then, I watched cops kill unarmed people on film and go home to their families like black lives didn’t matter. No charges and with paid leave. At the same time, I watched officers capture Dylan Roof alive and buy him a hamburger after he slaughtered nine black churchgoers. I thought to myself, are we under attack as black people to the point where I might have to shoot an officer just to survive a mere traffic stop? I thought, how crazy is it that we even have to think about in America (in 2016)?  Then I thought, how ill would it be to have a black superhero (that other black children can look up to; the same way we do Marvel characters) to tackle and these issues.” [XXL]

Great comic illustration of the depravity of the war industry, through the lens of a couple amateurish leeches who get rich middle-manning death machines for the US military, starring Jonah Hill & Miles Teller.

“With the war in Iraq raging on, a young man (Jonah Hill) offers his childhood friend a chance to make big bucks by becoming an international arms dealer. Together, they exploit a government initiative that allows businesses to bid on U.S. military contracts. Starting small allows the duo to rake in money and live the high life. They soon find themselves in over their heads after landing a $300 million deal to supply Afghan forces, a deal that puts them in business with some very shady people.”

Watch for free on Netflix

“Between 1929 and 1941, the Communist Party organized and led a radical, militantly antiracist movement in Alabama — the center of Party activity in the Depression South. Hammer and Hoe documents the efforts of the Alabama Communist Party and its allies to secure racial, economic, and political reforms. Sensitive to the complexities of gender, race, culture and class without compromising the political narrative, Robin Kelley illustrates one of the most unique and least understood radical movements in American history.

The Alabama Communist Party was built from scratch by working people who had no Euro-American radical political tradition. It was composed largely of poor blacks, most of whom were semiliterate and devoutly religious, but it also attracted a handful of whites, including unemployed industrial workers, iconoclastic youth, and renegade liberals. Kelley shows that the cultural identities of these people from Alabama’s farms, factories, mines, kitchens, and city streets shaped the development of the Party. The result was a remarkably resilient movement forged in a racist world that had little tolerance for radicals.

In the South race pervaded virtually every aspect of Communist activity. And because the Party’s call for voting rights, racial equality, equal wages for women, and land for landless farmers represented a fundamental challenge to the society and economy of the South, it is not surprising that Party organizers faced a constant wave of violence.

Kelley’s analysis ranges broadly, examining such topics as the Party’s challenge to black middle-class leadership; the social, ideological, and cultural roots of black working-class radicalism; Communist efforts to build alliances with Southern liberals; and the emergence of a left-wing, interracial youth movement. He closes with a discussion of the Alabama Communist Party’s demise and its legacy for future civil rights activism.”

“Dr. Martin Luther King Jr. is remembered today as an American hero: a bridge-builder, a shrewd political tactician, and a moral leader. Yet throughout his history-altering political career, he was often treated by U.S. intelligence and law enforcement agencies like an enemy of the state. In this virtuosic documentary, award-winning editor and director Sam Pollard (Editor, 4 LITTLE GIRLS, MO’ BETTER BLUES; Director/Producer, EYEZ ON THE PRIZE, SAMMY DAVIS, JR.: I’VE GOTTA BE ME) lays out a detailed account of the FBI surveillance that dogged King’s activism throughout the ’50s and ’60s, fueled by the racist and red-baiting paranoia of J. Edgar Hoover. In crafting a rich archival tapestry, featuring some revelatory restored footage of King, Pollard urges us to remember that true American progress is always hard-won.”

❝ In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. Yet, as legal star Michelle Alexander reveals, today it is perfectly legal to discriminate against convicted criminals in nearly all the ways that it was once legal to discriminate against African Americans. Once you’re labeled a felon, the old forms of discrimination―employment discrimination, housing discrimination, denial of the right to vote, denial of educational opportunity, denial of food stamps and other public benefits, and exclusion from jury service―are suddenly legal. ❞