Tag: Consciousness

beautiful melodies & conscious lyrics, quality uplifting reggae for the heart & mind <3

Official Bio:

International Reggae Band Inna Vision continues to represent Hawaiian Reggae on a global stage with melodic rhythm, lyrical consciousness, versatile cadence and infectious energy. Up rooted from the tiny island Maui, Inna Vision has toured the U.S. consistently since 2008 performing in over 70 cities and also bridging the gap between Europe, Jamaica and Tahiti.

2018-2019 proved massive with the release of 3 Full length albums including greatest hits compilation “Best Yet” celebrating 10 years of Inna Vision music. The hard hitting album “Link Up” climbed charts quickly and got nominated as “Reggae album of the year” finalist by Hawaii’s Na Hoku Hanohano awards. Following release and U.S. headline tour Inna Vision made Europe debut performing with Tribal Seeds in London, Amsterdam, France and stops on legendary festivals such as Summerjam (Germany) and Montreax Jazz Festival (Switzerland).

Inna Vision formed in 2005 as a 6 piece band with debut album Music on my Mind released in 2008. Few years after release original vocalist left the group to pursue solo careers. Inna Vision quickly re-branded led by founder and bassist “Koa Lopes.” Since re-brand Inna Vision took full speed releasing 5 albums, numerous singles and appears on songs with Million Stylez, Josh Heinrichs, Hirie, Gonzo, The Steppas, New Kingston, Redmelo and much more. Inna Vision has grown to having band members from California, Florida, New York, Boston and original musicians that still perform at home in Hawaii.

Inna Visions passion and persistence led to performances on California Roots Festival, Reggae on the River, One Love Fest, Reggae Rise Up and Hawaii’s Majah Rayjah. “The Vision” has also shared stages with J Boog, Common Kings, Ky-Mani Marley, Collie Buddz, Damian “Jr. Gong” Marley, Steel Pulse, Alborosie, Gentleman, SOJA and much more.Inna Vision music represents, equality, manifestation, inspiration and most importantly love over all.

“Reggae music makes us feel like we can’t die.” – Reggae Lives.”

(the following is an excerpt from my book)

There is an absolutely brilliant 92Y interview that Hamilton Morris, one of the most prominent psychedelic advocates in America, did of Michael Pollan, the mainstream journalist who recently wrote a book on the current renaissance called How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence. I think the book will probably ultimately be positive for the movement to mainstream psychedelics simply because he is such a square type of mainstream media figure, normies will be far more inclined to read him less antagonistically than they would read someone like me.

But he does problematically talk mad shit on Dr. Leary and the counterculture in that book, which is why Hamilton’s interview was so great. He pushed back on Pollan’s central thesis, which is that psychedelics seem like they could be great psychiatric medicines, but there is not enough science yet to fully prove their efficacy and they need to be used in strictly controlled clinical settings with guides to help people through their trips. As somebody who has tripped hundreds of times and never had a “guide,” I really object to the assertion that everybody needs a professional tripsitter in order to do these things safely and get great benefits out of them. Surely, it would be great if guides were available to folks who wanted one, especially on their first psychonautical expedition, but most people can get on just fine without one.

My favorite part of the interview was when Hamilton makes a profound analogy between the Prohibition on psychedelics and a hypothetical Prohibition on music. It’s perfect because both of those cultural phenomena are quite similarly foundational to the human experience:

“And of course I agree with all this, you know, I’m a believer. I want all of this to be true. I want them to be legal. I want them to be medicines. I want all this research to have tremendously promising results, but I’m also extremely worried because I think if we look at them exclusively as medicines and don’t emphasize just cognitive liberty—the freedom to do things regardless of whether or not they’re medicinal—it’d be like if somebody made music illegal, and instead of saying, “Well it should just be legal because why not? Just make it legal; it doesn’t hurt anyone,” everyone said, “Oh, no, we can prove that it’s a medicine. And then, if it’s a medicine, then then it’s okay for everyone to use it. And look, it actually helps people with neurodegenerative diseases and certain people with PTSD if they listen to a certain type of music under very controlled circumstances, it can actually be tremendously therapeutic. We need to make this legal.” But then it would cost money and the whole thing would be a mess, and you would sort of neglect the overarching issue, which is: Why is this even controlled in the first place?”

Fucking epic album OMG! a skeptic’s scientific poetical exploration of various aspects of consciousness, which are so often misunderstood in terms of magical thinking. Amazing work by the greatest educational artist of our times ♥ Neonn