Tag: Capital

“This film series explores many aspects of our society. To rethink what is possible in our world, we need to consider what kind of world we want to live in. Although we refer to it as a civilization, it is anything but civilized. Visions of global unity & fellowship have long inspired humanity, yet the social arrangements up to the present have largely failed to produce a peaceful and productive world. While we appear to be technically advanced, our values and behaviors are not. The possibility of an optimistic future is in stark contrast to our current social, economic, and environmental dilemmas. The Choice Is Ours includes interviews with notable scientists, media professionals, authors, and other thinkers exploring the difficulties we face.

Part I provides an introduction and overview of cultural & environmental conditions that are untenable for a sustainable world civilization. It explores the determinants of behavior to dispel the myth of “human nature” while demonstrating how the environment shapes behavior. The science of behavior is an important – yet largely missing – ingredient in our culture.

Part II questions the values, behaviors, and consequences of our social structures, and illustrates how our global monetary system is obsolete and increasingly insufficient to meet the needs of most people. Critical consideration of the banking, media, and criminal justice systems reveals these institutions for what they really are: tools of social control managed by the established political and economic elite. If we stay the present course, the familiar cycles of crime, economic booms & busts, war, and further environmental destruction are inevitable.

Part III explains the methods and potential of science. It proposes solutions that we can apply at present to eliminate the use of non-renewable sources of energy. It depicts the vision of The Venus Project to build an entirely new world from the ground up, a “redesign of the culture,” where all enjoy a high standard of living, free of servitude and debt, while also protecting the environment.

Part IV explains how it is not just architecture and a social structure that is in desperate need of change, but our values which have been handed down from centuries ago. They too need to be updated to our technological age, which has the potential to eliminate our scarcity-driven societies of today. Our problems are mostly of our own making, but we can still turn things around before the point of no return. It’s not too late for an optimistic outlook on the fantastic possibilities that lie before us.”

“How did the rich get so…rich? In this hilarious, passionate, and empowering look at income inequality, activist comedian Russell Brand and director Michael Winterbottom (The Trip) uncover the roots of the world financial crisis. With a mix of rabble-rousing outrage and audacious comedy, Brand examines how bank bailouts have left the 99% high and dry—taking his message straight to the top as he fearlessly confronts the corporations and political leaders responsible. By turns thought-provoking and wildly entertaining, The Emperor’s New Clothes is a timely reminder that change begins with the people.”

“Cultural theorist superstar Slavoj Žižek re-teams with director Sophie Fiennes (The Pervert’s Guide to Cinema) for another wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture, Žižek literally goes inside some truly epochal movies, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver, Zabriskie Point, The Searchers, The Dark Knight, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”), Titanic, Kinder Eggs, verité news footage, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Žižek’s stimulating, provocative and often hilarious psychoanalytic-cinematic rant.”

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“Exactly one year and a day after the initial Wall Street bailout, Michael Moore (SICKO, FAHRENHEIT 9/11) looks at the global financial crisis and the U.S. economy during the transition between the incoming Obama Administration and the outgoing Bush Administration. In standard Moore fashion, he mockingly draws attention to the Wall Street and Government decisions that have enabled what he calls “the biggest robbery in the history of this country.””